Installation I did for the National Gallery of Contemporary Art in Sunderland. It was a great experience, and I'm really glad I did it, but it's kind of galling to put in all the work and get paid only in exposure. If I drew it on the pavement in the street outside, I could put a cap down and get a few quid in donations, but I did it in a gallery, so I get exposure instead. The world is crazy, man.
Wow, that looks like an intense amount of work. And seeing the whole thing (or at least the two walls-- are there more?) is incredible. I'd love to see the actual full scale piece; too bad I'm nowhere near there.